Production Sound
Clean, consistent dialogue for television, film, commercial, corporate, documentary, and unscripted production.
Austin · Central Texas production sound
Stephen Perkins · LoLo Audio
Austin Production
Sound Mixer
Professional location audio for Austin film, television, commercial, corporate, documentary, interview, branded, and live-environment productions—with the experience to adapt when the location drives the day.
23+Years in technical production
107Credited engagements
Austin location sound
Creative city.
Disciplined audio.
Stephen Perkins is a Texas-based production sound mixer, production audio mixer, and sound supervisor with 23+ years in television and field production, including 18+ years specializing in production audio. His Austin-area work includes Circuit of the Americas TV and Inside Arlyn Studios — Willie Nelson & Merle Haggard: Making of Django and Jimmie, alongside 107 credited engagements across a broader career in television, documentary, commercial, corporate, and feature production.
Austin crews work across soundstages, music spaces, technology offices, homes, restaurants, outdoor locations, event environments, and the Hill Country. Each creates a different balance of room tone, crowd noise, RF activity, heat, wind, and schedule pressure. LoLo Audio builds the recording plan around those real conditions.
Whether the job is a controlled executive interview or a documentary sequence that cannot be repeated, Stephen keeps the workflow calm and direct: protect the performance, communicate issues early, give clients reliable monitoring, and deliver organized audio that post can use confidently.
Production audio Austin
Built for the
way you shoot.
A professional, mobile sound package for Austin’s mix of narrative, branded, corporate, documentary, interview, and multi-camera work.
Wireless & IFB
Eight channels of Lectrosonics wireless and six R1a IFBs for talent, producers, clients, and fast-moving crews.
Timecode & Multi-Camera
Timecode, camera hops for up to three cameras, and a smart slate keep picture and sound organized for post.
Field Recording
A mobile Sound Devices 688 package for interviews, documentary work, remote locations, and changing conditions.
Explore the full production sound and audio mixer services and production audio mixer gear and expanded equipment access.
Austin crews & locations
Listen to the room.
Plan for the day.
Austin locations often carry character—and sound. Live rooms, hard-surfaced offices, busy hospitality spaces, downtown traffic, air conditioning, cicadas, wind, and event activity all affect microphone choices and placement. Stephen identifies the practical compromises early and works with production and camera to protect dialogue without slowing the creative process.
Interviews may call for discreet talent wireless, a carefully positioned boom, IFB monitoring, and a clean multi-camera feed. Documentary and branded work may need a lighter field configuration that moves quickly. When several cameras are involved, timecode, hops, and smart-slate support keep takes and files aligned from production through editorial.
Send dates and production details ↗01
Film & narrative
✓02
Commercial & branded
✓03
Corporate & technology
✓04
Documentary field work
✓05
Music & live environments
✓06
Interviews & multi-camera
✓Selected work
Experience you can
put on the call sheet.
Verified production credits across television, streaming, documentary, corporate, and feature work.
Inside Arlyn Studios — Willie Nelson & Merle Haggard: Making of Django and Jimmie
Sound Mixer
Circuit of the Americas TV
Sound Mixer
Farmer Wants a Wife — Season 4
Sound Mixer
Texas Flip N Move — Season 10
Sound Mixer
State of Play
Sound Mixer
Beyond the Bayou
Sound Mixer
Central Texas sound support
Professional sound.
No extra drama.
LoLo Audio’s core package includes a Sound Devices 688, eight channels of Lectrosonics wireless, boom, six R1a IFBs, timecode and camera hops for up to three cameras, and a smart slate. It can be configured for a seated conversation, talent-driven commercial, moving documentary crew, or a more complex unscripted workflow.
The equipment is backed by experience supervising crews, coordinating wireless, managing multiple feeds, and recording in locations where sound must solve problems without becoming the focus of the set. Stephen’s approach is collaborative, technically prepared, and centered on clean, believable dialogue.
If you need an Austin location sound mixer or location audio mixer, share the dates, location type, talent count, camera count, client-monitoring needs, and deliverables. Those details turn an equipment list into a sound plan that fits the production.
Texas sound & audio mixer markets
Sound coverage
where you need it.
Austin production sound
Let’s make your
next shoot sound right.
Send your dates, Austin or Central Texas location, production type, talent count, camera count, and any monitoring or timecode needs. Stephen will follow up with availability and a clear quote.
Check availability ↗Prefer email? sperkinsaudio@icloud.com